Joanne Shaw Taylor
Saturday 14th March
Tickets SOLD OUT | Doors 19:30
Six albums in, Joanne Shaw Taylor has nothing to prove, but plenty to say. Reckless Heart, the follow-up to 2016’s Top 20 hit Wild, finds the British blues musician in glorious form and a mischievous mood, one minute bearing her claws with catty lyrics, the next deliriously in love.
In several senses, it’s an album of firsts -the first made in Joanne’s adopted home town of Detroit, the first produced by her close friend Al Sutton (Greta Van Fleet,Kid Rock), the first largely recorded live and the first tofeature an unplugged solo performance and, by chance, a passing train.
But it’s also an album thatpulls the past in to the present. The good-time grooves of vintage, Britishblues-rock are given a modern makeover, while Joanne’s most powerful, yet intimate vocals to date take their cue from the gritty soul greats (Aretha, Tina, Mavis Staples) she grew up on.
“I’ve never had so much fun making an album,” says Joanne. “I feel like I’ve reached a stage where I can stop worrying what people think. The older Iget, the more comfortable I am with being open and honest. If I’m pissed off, I’ll say it. If I want to be flirty, I will.”
Born in the Black Country and discovered aged 16 by Eurythmics’ co-founder Dave Stewart, Joanne has spent a decade releasing increasingly successful albums and touring the world. Along the way, she has won over fans from Joe Bonamassa to Stevie Wonder to Annie Lennox.
A decade ago, Joanne moved to Detroit as her career in the States was developing. On her first day there, she met the veteran producer Al Sutton and the pair instantly became friends. Ever since, they’ve talked of working together but due to conflicting schedules, not until Reckless Heart did it happen.
“Al’s always said that he wanted to make more of a live album with me,” says Joanne. “Why? Because that’s how he likes me, as a raw, aggressive guitarist.”
The pair started work this summer at Al’s fabulously-named Rust Belt Studios, a mere five miles from Joanne’s Detroit home. For the first time making an album, every night she slept in her own bed.
No guitar pedals were used in the making of Reckless Heart. It was straight in to amps for a simple, raw sound that encouraged Joanne to be ever more open in her songwriting. The loose, late ‘60s recordings of Jeff Beck and RodStewart became touchstones. Ditto the soul singers that Joanne discovered as a child courtesy of her mum.